Maddy is a social worker trying to balance her career and three children. Years ago, she fell in love with Ben, a public defender, drawn to his fiery passion, but now he’s lashing out at her during his periodic verbal furies. She vacillates between tiptoeing around him and asserting herself for the sake of their kids – which works to keep a fragile peace – until the rainy day when they’re together in the car and Ben’s volatile temper gets the best of him, leaving Maddy in the hospital fighting for her life.
Randy Susan Meyers takes us inside the hearts and minds of her characters, alternating among the perspectives of Maddy, Ben, and their fourteen-year-old daughter. Accidents of Marriage is a provocative and stunning novel that will resonate deeply with women from all walks of life, ultimately revealing the challenges of family, faith, and forgiveness.
ACCIDENTS OF MARRIAGE explores a topic rarely shown in fiction: the damaging effects of a spouse’s emotional abuse.
Maddy ran her tongue over her teeth, imagining the bitter taste of a crumbling tablet of Xanax. After a gut-wrenching day at the hospital nothing tempted her more than a chemical vacation. Nothing appealed to her less than cooking supper. Churning stomach acid—courtesy of work—coupled with anxiety that Ben might come home as frenzied as he’d left made a formidable appetite killer.
She could bottle it and make a fortune.
Each morning she spun the wheel on the Ben chart, hoping the arrow would hit happy husband, or at least neutral guy. Today his arrow landed on total bastard, holding her personally responsible for Caleb’s tantrum, which—oh, horror!—had cost Ben twenty minutes of work.
She considered taking a pill, but the rites of family happiness demanded her attention. Gracie and Caleb sprawled on the rug, recovering from their day at camp: seven-year-old Caleb, half asleep, rubbing his cheek with his thumb; nine-year-old Gracie’s glazed eyes fixed on the television. Emma, her oldest, a day camp counselor at fourteen, would be home soon.
Sluggish inertia kept Maddy stapled to the couch despite her long list of waiting tasks. Chop vegetables, pay the mortgage, and catch up on laundry before the kids ran out of socks. Find a stamp somewhere in the mess she called her desk so she could mail the electric bill. Give her children feelings of self-worth. Plus, since she and Ben had fought that morning, he’d need soothing. Fellatio came to mind.
Indestructible fabric, the sort bought by parents with children prone to transferring their sticky snacks to the upholstery, prickled against her bare arms. She lusted for air-conditioning as she’d once longed for peace, justice, and her husband. Each suffocating Boston summer their badly wired Victorian became more hateful and Ben’s warnings about global warming swayed her less. According to Ben, her environmental ethics turned situational with each drop of perspiration.
Pressing the small of her back didn’t ease the permanent knot lodged deep and low, nor did shoving a small hard pillow against it. Her stomach growled despite her lack of desire for food.
Fish sticks would be easy, but she couldn’t bear turning on the oven.
The back door slammed. Emma banged her backpack on the table. Her daughter’s way of saying I’m home.
Maddy struggled up from the couch and headed toward the kitchen. “Just making sure it’s you.”
“Were you expecting someone else?” she asked.
"It could have been Daddy."
"Right." What an all-purpose word right had become in their family, their polite way of saying, I am acknowledging you have spoken, but am choosing not to engage in any meaningful way. Lately, they used it all too often.
Newspapers they’d tried to read at breakfast covered half the table. Emma stared into the refrigerator as Maddy gathered the papers, unsure whether to recycle them. Had Ben finished reading the Boston Globe? The New York Times?
"There’s nothing to eat," Emma said. "In Caro’s house—"
The sound of breaking glass followed by Caleb’s scream interrupted before Emma could specify just how superior a shopper Caro’s mother was.
"Mom!" Gracie yelled. "Come here!"
Emma followed as Maddy ran to the living room.
"Jesus, what happened?" Maddy crouched next to Caleb, her stomach dropping at the sight of blood pouring from his foot. Shards of glass surrounded him, liquid droplets of milk clinging to the pieces, a larger white puddle pooling on the wooden floor. She grabbed a wadded-up napkin to staunch the blood, crouching awkwardly to avoid cutting her knees.
Gracie’s mouth trembled. "I just got up, that’s all, and I knocked over his milk glass. He got mad and screamed, then he stood up and kicked the glass and it broke. He stepped on it. It wasn’t my fault!"
"It’s okay, Gracie." Blood soaked through the napkin, dissolving the paper as she exerted pressure. "Emma, get me a damp towel."
This was preventable, Ben would say. This is why we have plastic glasses.
"Make it stop, Mommy!" Tears cut through the dirt on Caleb’s cheeks.
She pressed harder. Gracie mopped the spilled milk with a dirty T-shirt from her backpack.
"Here." Emma held out a dripping kitchen towel.
"You need to wring it out, Emma. Never mind, just get a clean one."
Emma stomped out with Gracie in her wake. Wet cloth slapped in the sink.
"Give this to Mom." Emma’s voice from the kitchen was extra loud.
Using the hem of her black cotton skirt, Maddy covered the napkin. Gracie returned with a new towel. Emma watched from the doorway, twirling the bottom of her long brown braid.
Maddy peeled away her skirt and replaced it with the towel, Caleb whimpering. "Do I have to go to the doctor?" He squinted as peeked under the towel. "It doesn’t look too deep, but it has to be cleaned," she said. "I don’t think we need a doctor." Maddy’s pulse calmed. She stopped rushing ahead in her mind: wrapping Caleb’s foot safely enough to hold in the bleeding until they got to the emergency room, packing the kids in the car, calling Ben. She looked again—making sure her decision was based on wisdom and not wishful thinking. It wasn’t gaping. The bleeding had slowed.
He tried to pull his foot away. "No! No cleaning. It’ll hurt."
Emma squatted next to them. "You let Mom wash out the cut and I’ll play Monopoly." Caleb’s smile came through like a sun shower.
"That’s sweet, honey." Maddy should appreciate Emma’s goodness and stop losing patience with her sulks and eye rolling. "Thank you."
"Can I play?" Gracie asked.
"No," said Caleb. "Just me and Emma."
Gracie’s lip quivered at her brother’s words, leaving Maddy torn between soothing and yelling Stop it, especially when she saw Gracie make the tiny sign of the cross she’d picked up from Grandma Frances, Ben’s mother, a woman given to reflexive ritual blessings. Gracie’s gesture unsettled Maddy. Next thing she knew, her daughter would be genuflecting at Our Lady of the Virgins. Buying her a Jewish star or a Unitarian flaming chalice, before Grandma Frances hung a crucifix over Gracie’s bed, went on her to-do list. Mixed marriage only went so far.
"Monopoly is better with more people, Caleb." Pregnant women should be required to take classes in referee and negotiation skills along with breathing and panting lessons.
"No. I only want to play with Emma."
Gracie pulled at her camp-grimy toes. "How about you and I make chocolate sauce while they play?" Maddy suggested. "We could have hot fudge sundaes for supper."
"Ice cream for supper?" Gracie raised her chin off her knees.
"Why not?" She pushed back her daughter’s sweaty black curls, the only visible part of Maddy that Gracie had inherited. The kids divided their parents’ parts and shared few: Skinny Caleb had Ben’s thick brown hair, Maddy’s long lashes and narrow shoulders. Poor Gracie, like Ben, would have to fight a tendency toward getting thick in the middle. Emma, wiry like Maddy, had her father’s sharp cheekbones.
Emma rolled her eyes. "Healthy, Mom."
"Shut up, Emma," Caleb said.
"You shut up. Or I won’t play with you."
"I’ll play," Gracie said.
"No. Emma picked me. Wash my cut, Mommy."
A child leaned on either shoulder. With feet propped on the coffee table, Maddy drifted in and out of sleep. Dirty bowls decorated with blobs of hardened fudge littered the room. After cresting to a quick high of giggles over supper, they’d slumped into queasy sugar comas.
They stirred at the sound effects of Ben’s nightly return: The car rolling on gravel. Scrape of heat-swollen door opening. Keys dropping on the hall table. Briefcase thudding to the floor. Sighs of relief or disgust indicated his mood level. Despite their early-morning fight, Ben sounded audibly benign. Thank God. Maybe it would be a Swiss night, with the living room their first neutral zone.
Ben entered the living room and surveyed their collapsed bodies and the scattered Monopoly pieces. Gracie pulled away and ran to him, throwing her hands around his waist. He stroked her black ringlets into a little bundle at the back of her head as she leaned into his slightly softening middle. He had the body of a forty-three-year-old man who fought gravity by playing handball twice a week, but who’d given up crunches. Not bad, but unlike Maddy, who ran and used free weights and the rowing machine in their basement, his battle against time brought fewer visible rewards.
"What happened?" he asked. "It looks like a war zone."
"We had some excitement. Our boy cut himself." Caleb held out his bandage-swathed foot while still staring at the television.
"You okay?" Ben asked. He gave Gracie one last pat and went to the couch. "Hurt much?"
Caleb shrugged. "I guess. A little." He studied Maddy as though seeking the right answer.
Ben laid a hand on Caleb’s calf. "Can you walk on it?"
"Sorta. I hop on my heel on that side."
"It’s on the ball of his foot. The inside," Maddy said.
"How’d it happen?" Ben tugged on his chin—his poker tell that steam could build at any moment.
Maddy leaned over Caleb and kissed her husband, hitting the side of his mouth he offered. "Forgetting anything?" she asked. "Hello, Maddy? How are you?"
He exhaled. "Don’t start. I’ve had a rough day."
Kissing was starting? It is when you’re being sarcastic, she answered herself, using Ben’s lecture voice. "He fell asleep and then got up without remembering there was a milk glass next to him. It was an accident." She knew the lie was barely plausible, but she also knew it was just enough for him to avoid being prosecutorial.
"Where was he sleeping? The recycle bin?"
"Very funny. A glass broke. End of story." There. The truth snuck in.
"Why can’t the kids eat and drink at the table like they’re supposed to? Why weren’t they using plastic glasses?" He ran his hands through his hair. "Look at this place. It’s a mess. No wonder everyone’s always having accidents."
Caleb rubbed his thumb back and forth across his knee. Gracie crossed herself.
"Not now, okay? Please." She sent him a significant look.
Chatting with author, Randy Susan Meyers
1. Can you tell us a bit about the book and the relationship between the characters?
Accidents of Marriage asks what is the toll of emotional abuse on a family. It’s an account of life inside a marriage that seems fine to the outside world, an account of emotional abuse, traumatic injury, and how a seeming accident is really the culmination of years of ignored trouble. It’s the story of an unexpected gift of clarity making the difference between living in hell and salvation.
For Madeline Illica, the love of her husband Ben is her greatest blessing and biggest curse. Brilliant, handsome and charming, Ben could turn into a raging bull when crossed—and despite her training as a social worker Maddy was never sure what would cross him. She kept a fragile peace by vacillating between tiptoeing around him and asserting herself for the sake of their three children, until a rainy drive to work when Ben’s temper gets the best of him, and the consequences leave Maddy in the hospital, fighting for her life.
Accidents of Marriage, alternating among the perspectives of Maddy, Ben, and their fourteen-year-old daughter, Emma, takes us up close into the relationships between all family members. The children, lost in the shuffle, grasp for sources of comfort, including the (to them) mysterious traditions of their Jewish and Catholic grandparents. Emma and her grandparents provide the only stability for the younger children when their mother is in the hospital. Ben alternates between guilt and glimmers of his need to change, and Maddy is simply trying to live. Accidents of Marriage reveals the challenges of family, faith, and forgiveness.
2. How many different titles did you experiment with before deciding on Accidents of Marriage?
My first working title was A Thousand Suppers (which comes from a line in the book, but ultimately made no sense out of context.) The title I used when I presented it to my editor was simply Maddy & Ben. After many long sessions with poetry books, anagrams of words, and other methods that I use, I came up with Accidents of Marriage.
3. How has working with batterers and victims of domestic violence influenced your writings?
Working with batterers taught me far more than I can put in a paragraph, but here is my version of the most important take-away: Never underestimate the hatred some men have of women. Never think that people (other than the truly damaged) ‘snap’. If they chose to find it, people can access at least a sliver of decision-making. We have agency. We do not choose to hit and scream at our bosses. We choose to hit and scream at people in our homes. The hierarchy of power always comes into play.
Women (and men) do not choose abusive people as their loves—they pick the charming folks they meet in the beginning of a relationship. There might be signs to look out for, but abusers keep those traits in check until the relationship has solidified, when breaking up is more difficult.
There is not a black and white line between being abusive and not being abusive. There is a continuum of behavior, and most of us fall on the wrong side of the best behavior at some point—whether is be yelling, silent treatment, or some other hurtful conduct. Learning that this can be controlled is a job for everyone.
Batterers can change; we can all change our behaviors, but most often we choose not to do the difficult work that change requires. This is something I hope I bring to my writing.
4. Can you discuss the role of Maddy and Ben’s daughter in the book?
Emma is an average teenager who is thrown into very un-average circumstances. She becomes the stand-in mother, a role she takes on without credit or even being noticed. She is also the keeper of secrets, an impossible position for her to take on. In every stage of her family’s trauma, she is the silent absorber, who ultimately will break or find strength.
5. How did you portray someone with a traumatic brain injury so well?
I did an enormous amount of study. Luckily I find medical research fascinating. My shelves are crammed with memoirs of those with TBI and caretakers of those with TBI, workbooks for those with TBI, and medical texts—as well as spending time on line reading medical information for those in the field and information for those affected by brain injury. I had someone in the field read the novel and am also lucky enough to have a doctor in my writer’s group.
6. Did you have any say in choosing the cover for the book?
Yes! The final cover was the fourth one presented. It was tough finding the right ‘mood’ for the cover, but I was very pleased with the final version. Of course, most authors (including me) would love to actually design the cover, but my guess is our final products would not be the graphic success we imagine.
. What made you choose a car crash as the tragic turning point between Ben and Maddy?
Abusive and bullying behavior very often plays out in driving. Road rage is a real problem on our motorways and seemed the logical vehicle for demonstrating how Ben’s bad choices result in devastating consequences.
8. Parts of this story make the reader begin to empathize with Ben. Why did you choose to do this?
I don’t believe books that present characters as all good or all bad can adequately capture life’s totality or experiences. It’s important for me to tap into how we are all the stars of our own show and how we often convince ourselves why it is ‘okay’ to act in awful ways. Ben is not all bad, despite doing awful and bad things. The question I explore about Ben (among others) is can he change? Is he, are we, capable of change, and if so, how does will and can that change manifest?
9. Is Maddy modeled after anyone that you know?
Maddy is modeled after about a thousand people I know—including myself and my friends and family. Most of us have some Maddy in us, at least at some point. We close our eyes to the worst, or we use drugs or alcohol or food or something else to tamp down our feelings. We live in a maelstrom of problems and pretend it’s all okay. We deny and lie to ourselves. Until we can’t anymore.
10. What do you hope readers will take away from reading Accidents of Marriage?
Abusive behavior is wrong, whether it is physical, emotional, verbal or any other type of hurtful behavior. It overwhelms a family. Raising children with verbal and emotional violence is harmful and the ramifications last forever.
Most important, we can control our behavior.
But, most of all, I hope readers take a page-turning story from my book. I don’t write to lecture; I write to tell the stories that mesmerize me, and thus, I hope, fascinate others.