Killer in the Band Book Spotlight + Giveaway
Summer of Love & Murder
Joshua’s eldest son, Joshua “J.J.” Thornton Jr., has graduated at the top of his class from law school and returns home to spend the summer studying for the bar exam. However, to Joshua’s and Cameron’s shock and dismay, J.J. moves into the main house at Russell Ridge Farm, the largest dairy farm in the Ohio Valley, to rekindle a romance with Suellen Russell, a onetime leader of a rock group who’s twice his age. Quickly, they learn that she has been keeping a deep dark secret.
The move brings long-buried tensions between the father and son to the surface. But when a brutal killer strikes, the Lovers in Crime must set all differences aside to solve the crime before J.J. ends up in the cross hairs of a murderer.
Praise for Lauren Carr’s Mysteries:
“Lauren Carr could give Agatha Christie a run for her money!”
- Charlene Mabie-Gamble, Literary R&R
“As always, Lauren Carr brings an action-packed story that is almost impossible to put down. Her mystery plots have so many twists and turns that I didn’t know if I was coming or going. And the action just didn’t stop from the very beginning till the very end.” - Melina Mason, Melina’s Book Reviews
Buy the Book:
Author's Bio:
Lauren Carr is the international best-selling author of the Mac Faraday, Lovers in Crime, and Thorny Rose Mysteries—over twenty titles across three fast-paced mystery series filled with twists and turns!
Book reviewers and readers alike rave about how Lauren Carr’s seamlessly crosses genres to include mystery, suspense, romance, and humor.
Lauren is a popular speaker who has made appearances at schools, youth groups, and on author panels at conventions. She lives with her husband, son, and four dogs (including the real Gnarly) on a mountain in Harpers Ferry, WV.
Prologue
Eleven Years Ago—Dixmont State Hospital, Outside of Pittsburgh, Pennsylvania
“Hard to
believe this was once a state-of-the-art psychiatric hospital,” the young
Pennsylvania state trooper said to his partner, an older officer who seemed
unimpressed with the long history of the century-old hospital that rested on top of a hill overlooking a major freeway and
railroad tracks.
Heavily
damaged by fire and decades of neglect, the complex’s
main building had once been a historic landmark, a toast to what had been
considered cutting-edge psychiatric treatment back in the 1800s. More than a century later, the many buildings that made
up the facility lay in ruins, decaying, and the grounds were overgrown
and covered in trash left by kids, psychics, and filmmakers.
“Only
goes to show you how quickly the state of the art can become out of date,” the
older officer grumbled. “Do you have any idea how many crazies died here? How
many are buried in that cemetery?”
“Which
is why it’s one of the most haunted places in the world.” The young officer
uttered a sinister laugh.
“Shut up.”
An unmarked police car
rounded the curve
in the road that weaved up the
long hill from the highway down below. Recognizing the woman driving the
cruiser, the older trooper muttered something under his breath.
“What is it?” his partner asked. “Gates.”
“Huh?”
Before the older officer
could answer, the unmarked car pulled into a parking space next to their cruiser.
“Detective Cameron Gates,”
the older trooper said in a low voice
as he watched the slender woman with shaggy cinnamon-colored
hair climb out of the cruiser. “Was on
leave most of last year because she—” He made a motion with his hand to indicate drinking.
“Good morning, Fred,” she
said to the older officer. “I see you’re keeping the new recruits well informed
on who to know and who to stay away from, as
always.”
“Detective Gates,” Fred said
with a stiff smile before introducing her to his partner. “Detective Gates is
with Pennsylvania’s homicide division.”
Struck not only by how
attractive she was but also by how young she appeared to be, the young officer
shot her a grin. She couldn’t have been much over thirty, if that.
With a polite nod to the
young police officer, she asked, “What have we got?”
“A dead body,” the young
officer answered. “A creepy dead body.”
“They’re going to tear the place
down,” Fred said while leading her down the battered concrete walkway, around
the long main building, and to the abandoned building behind it.
“So
now they’re just mowing the whole place down.” Fred led her around the corner
of the main building. A second abandoned building came into view.
“This
is the dietary building,” the young officer said. “They found the body in the
walk-in freezer.”
“A lot of kids hang out here,” Fred said.
“It’s supposed to be one of the most haunted places in the
country,” Cameron said. “An abandoned
mental hospital. Legends. No one
around. Perfect place to bring girls. You
scare them and then hold them tight and hope to get lucky—or to get drunk.”
“You should know,” Fred said with a
wicked grin.
Ignoring him, she asked,
“Could one have accidentally gotten locked inside and suffocated?”
“Doubt it,” Fred said. “They
found the freezer door locked from the outside and a broom handle jammed in the
latch.”
“Sounds like someone didn’t want
whoever was inside it to get out.”
They climbed the steps up to
a loading dock. The garage-type doors had been removed, providing a wide
open path into the kitchen area. Pennsylvania’s crime-scene
investigators were already at work examining the area out- side and around the
freezer; its rusted-out door, which was wide
open; and its cavernous interior.
Near
the activity, three men and a woman wearing hard
hats were giving their statements about how they’d made the discovery
to a few uniformed officers.
After
showing the officers the gold shield she had clipped to her belt, Cameron waded
through the officers and investigators and stepped inside the musty walk-in
freezer. Taking note of the rotten food that had been abandoned decades before
resting on the rusty shelves, she slipped evidence gloves onto her hands.
Having
seen more than her share of dead bodies as a homicide detective, Cameron did
not think that much could surprise her—until the medical examiner moved aside
to let her see the body slumped in the
corner.
Aware
of her colleagues around her, Cameron fought to hold back the gasp that wanted
to escape from her lips.
She
had expected a decayed skeleton—nothing more than bones and rotten clothes.
Instead, the dead body that had been reported was just that—a dead body whose
flesh was dried and petrified and the texture of beef jerky.
“Never
thought we’d find a mummy right here in Pittsburgh, Gates,” the medical
examiner, an older man, said with a hearty chuckle.
“Not really, Doc,” she said. “How?”
“Freezer is airtight,”
he said.
“Electricity was turned off in the eighties, when the place
closed down, so it wasn’t on. Sealed tight as a drum so that the elements and
insects couldn’t get to him. Body couldn’t decompose. It dried out and
mummified.”
Cameron squatted down to
peer at him. His thick locks were blond and combed back off of his forehead.
Still, even in death, not a strand was out of place. He was wearing baggy
white pants and
a matching jacket
with shoulder pads that had yellowed slightly with age.
Dark-brown splatters across his
shoulders and on
his pants indicated
blood. Under the jacket, he was wearing a
blue collarless shirt.
“I see blood,” she said. “Cause of death?”
“Beauty of mummification is
that it does preserve evidence.” He pointed to the scalp. “There’s evidence
of blunt- force trauma to the head.”
Cringing, Cameron reached
down to pick up one of his hands. In
spite of the decay, she was able to make out cuts and bruises on it.
“Hopefully, for his sake, he was dead be- fore he was sealed up in here. It
could have taken days for him to die
if he’d
had to wait to run out of air. Any ID?” She proceeded to search his pockets.
“None,” the medical examiner
said. “No wallet. No money. No driver’s license. Nothing.”
Resting next to his legs was
the neck of a guitar. The broken strings hung loose like chopped-off vines.
After con- firming that the instrument had already been recorded and photographed by the crime-scene unit,
she slipped it out from under the dead man’s hand
and found that the neck of the guitar
had been violently broken off of its body. On
the exposed wood of the neck were stains that were the same brown hue as the
stains on the dead man’s white suit.
“Where’s the rest of it?”
she asked while searching the floor,
and then she spotted the shattered body of the black guitar behind the dead man.
“Could this have caused the
head wounds?” Cameron asked the medical examiner.
“Won’t know until I get him back to
the lab.”
Cameron knelt down to peer
closely at the victim’s fingers. Despite his condition, she was able to see
the callouses on his hands. Pleased to have made one discovery, she sat back on
her haunches. She took in his clothes, which at one time—during his life—would
have been considered very stylish. But then they were old and discolored.
“We may not know his
name, but I do know one thing about John Doe,” Cameron said. “He was a musician.”
“Whoever beat him to
death couldn’t have been a fan,” Doc said.
v v v
Three Years Later—The Russell Ridge Farm and Orchards, Chester, West Virginia
Does
she have any idea how close she is to being Monster’s lunch?
Suellen
Russell was staring out the bay window, across the front porch, and out across
the lush green yard at Ellie. The plump white cat was lazing on her back in the
bright summer sun. Little was the cat aware that Monster, a playful young
border collie, had her in his sights. Several feet away, under the cover of the
hedges that lined the spacious yard across from the horse pasture, the border
collie was bellying his way in the direction of the feline.
Just
at the right moment, Monster launched himself.
On cue, Ellie sprang up from the ground, twisted around in midair, landed on her feet, and flew across
the yard and
up the big maple tree. Her movements were so graceful that they
seemed choreographed.
Laughing,
Suellen tore herself away from the window and returned to her baby grand piano
to work on her next original symphony piece. She so wanted to have it completed
in time for rehearsals for the next season at the Philadelphia Philharmonic,
where she had been the symphony conductor for the last twelve years. As part of
her agreement with the company, the prestigious philharmonic featured and per- formed
her original works.
She
was living her passion and her dream.
Don’t worry, Suellen, you’ll get it done before you go back to
Philadelphia for the winter season. You always do.
She
cringed at the thought of returning to Philadelphia. Her husband, Clark, had
died that spring. Feeling like a zombie, she’d simply gone through the motions of the
last six weeks of the season before
running home to the farm where she had grown up—her favorite place to escape the stress of the big city. As much as she loved the excitement
of the metropolis, she was still a farm girl at heart.
In a matter of weeks, her period of mourning would have
to end. She’d have no choice but to return to Philadelphia and to the empty
house she used to share with her husband. Her
phone rang, which
was a welcome interruption.
Turning her attention back to the
landscape, Suellen answered the phone.
“Suellen?”
She searched her mind,
trying to put a name to the familiar voice from long ago.
“It’s me, Catherine,” she said. “I’m sorry—”
“Cat!” she said with a
giggle. “Cat Calhoun. Used to be Foxworth, back in another lifetime. All of my
respectable friends call me Catherine now.”
“Cat!” Suellen replied. “My
God. I didn’t even know you had my number out here at the farm.
What have you been up to?”
“Well, you do know that
Harrison and I finally got married—”
“About time,” Suellen said.
“How long did you two live together before that
happened?”
“Five years,” Cat said. “We moved in together about nine months after the group broke up. Got
married when I got pregnant. We now
have three kids. I’m teaching music
at a private school here in State College.”
“Is Harrison still an on-air radio
personality?” “You mean ‘DJ,’” Cat said with a
laugh.
“Since
they don’t use record discs anymore,
they’re ‘radio personalities.’”
“Don’t
tell me that Suellen Russell is politically correct,” Cat said. “Nope. He gave
that up when he became a father. Now he’s grown up, and he owns his own
public-relations firm. Can you believe
it? Two middle-aged
rock ‘n’ rollers now driving SUVs and juggling
gymnastics and soccer practices?”
“And
I’m conducting symphonies and rubbing elbows with the artsy crowd,” Suellen
said.
“You
always were one of the artsy-fartsy set,” Cat said. “You only pretended to be a
rock ‘n’ roller because you knew that that was where the money was. You didn’t
have me fooled for a minute.”
Suellen
heard a deep sigh on the other end of the line. “What is it, Cat? What’s
wrong?”
Cat
hemmed and hawed and then said, “Did you ever hear from Dylan Matthews?”
“No,”
she said. “As a matter of fact, a few weeks before that last concert, he gave
me a binder with a bunch of songs in it, all songs that he had written—”
“Do you still have it?”
“I think so,” she said. “It
was all music. No lyrics. He wanted
me to write the lyrics for him. Said he was going to send them in to an agent—”
“Probably the same agent he
screwed us over for,” Cat said with a growl in her tone.
“I was really surprised,”
Suellen said. “I never thought he was musically talented enough to write songs.”
“He did teach himself to play the guitar.”
“But he couldn’t read
music,” Suellen said. “I never thought—”
“Did you ever look at those songs?”
Suellen laughed. “As a matter of fact, I didn’t. He gave them to me right before I
came back to the farm that sum- mer. I never even got a chance to look at them.
After he screwed us at the Fourth of July concert, he cornered me in the parking lot. Of course, I was
madder than a wet hen. Crying. I was a royal
mess.”
“We all were.”
“Well, would you believe
that he had the balls to ask me to finish the songs for him? He offered me a
job as a ghost- writer, I guess.”
“Are you kidding me?”
“I got the impression that
he had sent the songs to this agent who had signed him but she didn’t handle instrumentals. There was one song in particular that he really wanted me to put words
to. He kept saying that it would be the song that would make him a star. Not
us, mind you. Him.” She laughed. “I told him where to stick his job offer. He
said he wanted the songs back, and I told him to send me the ad- dress of where
to send them to—”
“Because he was leaving that
night to drive to Hollywood,” Cat said.
“But he never contacted me
with the forwarding ad- dress, and I never sent the songs. They’re here in the
house somewhere.” She paused. “Why are you asking me about him? Did he call
you?” She laughed. “Don’t tell me…Is he living under a bridge someplace? Would
serve him right.”
“I think he’s dead,” Cat said in a low voice. “You
think—”
“Harrison and I were
watching one of those crime- watcher
shows,” Cat said. “And they had this
segment about a body that was found at that mental hospital out by where we did
that Fourth of July concert. No identification
at all. They showed an artist’s rendition of what the guy would’ve looked like,
and Harrison swore that the image looked like Dylan. He wanted me to call you
to see if you ever heard from him.”
“Couldn’t
be Dylan,” Suellen said. “He left for Hollywood
right after that concert.”
“And he took his guitar. Right?”
“Dylan took that guitar everywhere with him.” “They found
a guitar with the body.”
Suellen was silent.
“Found in an abandoned
mental hospital minutes from where we last saw him,” Cat said. “Guitar found
with the body. The face in the artist’s picture looks a lot like Dylan’s.”
“Has Dylan ever—” “No.”
“What about Wendy, his
sister?” Suellen asked. “I assume she
left with him. Did they find her body, too?”
“They didn’t mention a woman’s body in that show,” Cat said. “I’m looking for Wendy but not having any luck. I haven’t seen her since Dylan abandoned us.”
“He wouldn’t have abandoned
his sister. If they found Dylan’s body, then where is Wendy?”
“Maybe she killed him,” Cat
said. “She never was wrapped too tight.” She uttered a sigh. “Suellen?”
“What, Cat?” Suellen’s mind
was racing as she tried to remember the order of events after
that Fourth of July concert.
At the beginning of the
night, they’d all had so much hope for their futures, but the concert had
turned into a nightmare that had shattered friendships—all because of the
selfish ambitions of one individual.
“You said it was a
crime-watcher show. How did Dylan, if it was Dylan, die?”
“Murdered. They said on that
show that based on forensics, he was killed sometime between 1986 and 1990.”
“And
the last time any of us saw him was July 4, 1988,” Suellen said. “Right in the
middle of that window.”
“Exactly.
Suellen, Harrison and I were talking…Dylan’s been gone all these years. None of
us have heard from him. If it is him, he’s been dead for decades, but no one
knew it.
If we tell the police it’s him—”
“Might
be,” she said. “We don’t know that for certain. Dylan wasn’t the only guy with
a guitar who ever went missing.”
“What if it is? If we
call the police and it ends up being
him, the police are going to ask all types of questions. With that big fight
after the concert and the things that were said—”
“They’ll
think it was one of us,” Suellen said. “You saw the picture, Cat. Sounds to me
like you and Harrison are pretty certain.”
“Maybe
it’s not,” Cat said. “Point is, I’m thinking that a lot of time has passed
since that night. We all have lives now. You married very well. How’s Clark?”
“Clark died four months ago,” Suellen said.
After an awkward silence,
Cat said, “I didn’t know. I’m sorry.”
“So am I.”
“Clark’s son—”
“Tony is running his
father’s company now,” she said. “My stepson and I have a good relationship.”
“So you have a good life,” Cat said. “So
do Harrison and I. It would be a shame if everything that we’ve all built up since Dylan betrayed us
got all shaken up because he went and got himself killed. The police will start
asking questions. Everything that everyone said in the heat of the moment that
night will be dredged up, when for all we know,
Dylan picked up some hitchhiker who killed him and stole his van. Or
maybe it isn’t him at all.”
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